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Paul Gilliam reflects back on the early 1970s, when he was a young teen and an unusual new family moves into the haunted 60-room estate next door, changing his life forever. He's inspired to find his own artistic voice through his life-altering friendship with these unique neighbors, who throw this wealthy Connecticut enclave into a cultural revolution. It's blue blood meets black eyeliner in this coming of age story meets rock biopic.
Everything in this story is true, and most of it really happened...and the family next door was Alice Cooper
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"“When we get together and rehearse, which is always living with each other, we always talk about what would make it better, what would mean more, what would say more. So we're always improving and growing.”
– Alice Cooper
PREMISE
A 10 episode, one-hour dark comedy with timeless music, set in the early 1970s. Narrated by an adult Paul Gilliam as he looks back upon his early teen years, when the soon-to-be-famous Alice Cooper band moves into the haunted 19th century estate next door. With comedic tones and heartfelt drama, the show presents a magical world that has never left the narrator's heart. It's blue blood meets black eyeliner in this coming of age story meets rock biopic, where being misunderstood has never been so inspirational.
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THE SERIES
Narrated by Paul Gilliam in the present day, our main protagonist is a misunderstood 13-year-old budding artist in a new neighborhood, just trying to fit in. The series recounts the events of his youth in the early 1970s when the Alice Cooper band moves into a 60-room haunted estate next door to his family home in toney Greenwich CT.
Inspired by true events, “Billion Dollar Babies” is a unique coming-of-age story occurring in the middle of a critical crossroads in American culture. It is also a rock biopic about the early formative days of the iconic Alice Cooper band, arguably the greatest theatrical rock act of all time. All the tracks the band creates and records in the episodes are actual Alice Cooper songs from the time when they lived and recorded at the grand estate, “Quiet Corner”. A dazzling remnant of the gilded age of Greenwich, “Quiet Corner” will act as an interesting visual character throughout the show, with its 80-foot ballroom, its own chapel, a network of secret tunnels, and even its own ghost.
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“I would rather be misunderstood than lose my independence.” – Clyde Fitch
(Cont’d)
Outside the front gates is a world of old money, with neighbors who struggle to understand how these degenerates could possibly afford to live next door. It follows the course of acceptance, who is accepted, and the American culture of success and money.
Paul unsuccessfully seeks the love and approval of his family. We follow Paul’s relationship with the band, and how their unconditional acceptance of him inspires him to find his own artistic voice, which conflicts with his family’s expectations.
Through Paul’s recollections, we experience a world set in the heady atmosphere of the early 70s music scene of New York (think CBGB, Max’s Kansas City, The NY Dolls, etc). Their move to “Quiet Corner”, and its proximity to NYC, are the catalysts which inspire the band to new levels of success, setting concert attendance records that surpass even The Rolling Stones to this day.
Paul recalls his first encounter with the band, peering through the door and watching them rehearse in the mirrored ballroom – Dennis is riffing the bassline for what will became their hit “Killer”. As Alice tries to read the lyrics from a small piece of paper, Neal sneaks up behind Paul, and startles him by inviting him into the ballroom to watch. As Alice looks over at Paul and laughs at Neal’s prank, Paul feels like he is part of the band. A memory that has never left him.
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"If I do my job perfectly, I will probably kill you..." – Shep Gordon
( Cont’d)
The story includes the ghost of the manor’s former owner (and builder) Clyde Fitch, who a century earlier conquered American Broadway theatre and now haunts the ballroom. Clyde’s untimely death 80 years prior was during the peak of his fame, and his path of acceptance remains unfulfilled. Clyde reveals himself to Alice (and eventually Paul), providing sage advice on stagecraft to Alice, helping the band refine their act.
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"There goes our beloved, civilized society." – Mr. Nelson “Jasper” Cross III (neighbor and responsible citizen )
(Cont’d)
The show is about fear of change, the bonds of friendship, the pursuit of success, and the price of fame – all set on a foundation based on the power of music, and the ability of art to change lives.
This show is quirky, bizarre and funny, very much like the band's public persona. At the same time it has incredible warmth. It is also filled with contradictions – as Paul finds out early on, these misunderstood neighbors who are viewed as “villains” are not only the most sincere family around, but also the most accepting. Through this lens, Paul sees that this new family is actually closer and more functional than his own family, and the rest of this eccentric neighborhood.
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"Just take care of my estate, ok Pep?”" – Mr. G
THE WORLD
There are no high-speed car chases or gunfights in “Billion Dollar Babies”. But there are guillotines and snakes, mobsters in tight gabardine pants, a flamboyant gay ghost, and a personal manager Shep Gordon – whose brilliant strategies make superstars of the band, and turn him into a living legend.
It’s an eclectic world of vastly different families, chasing their own version of the American dream. This is all set to the soundtrack of timeless Alice Cooper music that influences pop culture to this day. And most of it was made right next door to Paul, as he listened in.
Having just arrived in this gilded world of Greenwich, the landscape of sprawling estates and tight-knit culture is conflicting to Paul and his artistic sensibilities. Paul’s inspirational neighbors teach him to be himself rather than what others might mold him into.
The music also reflects this romantic and timeless moment – one listen to the song “Mary Ann” on Billion Dollar Babies, with the echo of the “Quiet Corner” ballroom and its old piano, says it all.
A unique world that is gone but not forgotten.
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TONE
Dramedy with music. Visually compelling, with the mysterious manor becoming almost a “live” presence in the show, alongside the opulent beauty of Greenwich CT, and the grit of New York City.
We follow the band’s rock and roll exploits, a ghost from a bygone era (also using flashbacks), and the eccentric blue blooded neighbors in this wealthy enclave, all seen through the perspective of a talented but confused teen who discovers his true identity with the help of the unique group of artists living next door.
The appeal of the show crosses generational boundaries while still having a fresh feel, telling a story that our parents and even our grandparents can relate to.
The connective tissue of the story is the idea that everyone – Paul, Alice, and Clyde – is learning the concept of acceptance. The bed they made, the world they wanted and got – or didn’t get.
There is always a sense of dark humor coupled with sweet moments, showing that somehow they are all connected. The strong visual style will further enhance the narrative.
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THE PILOT
We meet Paul Gilliam, 13, as he’s getting beaten up by the twin brother bullies in his new neighborhood of Greenwich CT. He’s sketching the beautiful foreboding manor called “Quiet Corner,” next door to his home. The manor will become a main character in the story.
It’s do-or-die for the Alice Cooper Band, who are floundering in Detroit. Their quick-witted manager Shep Gordon rents the sprawling manor from a high-class gangster in Greenwich in order to house the band nearer to NYC, the epicenter of the music scene in 1971. This new move may provide some much-needed inspiration, and publicity.
The band’s arrival causes a frenzy of blue blood backlash as the wealthy locals say, not only “there goes the neighborhood,” but “there goes our entire American civilization.”
A budding artist in a family of businessmen, Paul is so fascinated by his strange new neighbors that he always sneaks on to the mysterious grounds of the haunted manor, just to get a glimpse into their world – which is unique to say the least.
Clyde Fitch, the gay, flamboyant, bon vivant playwright from the 1900’s who built the house in 1903 from the proceeds of his prolific Broadway career, haunts “Quiet Corner.” He’s not too happy with his new guests. Alice will come face to face with him at the end of the pilot.
Mr. G, who makes a dubious deal with Shep to rent the place, thinks Alice Cooper is a single lady from Michigan, who might be a folk singer. When he finds out it’s a crazy, makeup wearing rock band, it’s too late. Though he lets Shep know who’s responsible if anything bad should happen.
And it will…
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"Don’t tar the walls, boys! ” – Jean, in response to the band’s new “soundproofing " idea for the ballroom.
The show is about fear of change, the bonds of friendship, the pursuit of success, and the price of fame – all set on a foundation based on the power of music, and the ability of art to change lives.
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“It’s like the Alice Cooper band in 1971…bizarre & cool.”
- Shep Gordon, May 2019 referring to the show concept.